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Japanese Society of Cinematographers
(JSC) Photo Exhibit
『The Real BUSAN』
Captured by Japanese Cinematographers
“There is no good composition, but a bad one there is; deliberate
is bad composition.”
- The late Director of Photography Yoo Young-gil
“I start from realism. The way I look into something is realistic.
I do not "imagine," but just "study."
I show a thing as it is.”
-Director of Photography Nestor Almendros
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| Cinematographers take the film directors' ideas and visually
project them onto the screen. Though cinematographers are rarely
in the spotlight, their importance is immense. They direct the
shot from behind the camera, aesthetically enhancing each scene,
without uttering a single complaint. They invoke profound sentiments
of cinema through their viewfinders and reveal the performers'
souls. Those who have previously illustrated the ways of life
on screen, now level their still cameras at Busan.
The Busan Film Commission has maintained a close relationship
with the Japanese Society of Cinematographers (JSC) over the
last few years. Now it hosts the "Japanese Society of
Cinematographers (JSC) Photo Festival" not only to expand
its relationship of mutual respect and progress with JSC but
also to rediscover features of Busan from their view points.
Ten major Japanese cinematographers capture real images of
Busan, wandering deep into the city, and taking still shots
rather than motion pictures.
Do you want to know what "the real Busan" viewed
by Japanese cinematographers looks like?
The stories are vivid in their still shots.
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○ Title : Japanese Society of Cinematographers
(JSC) Photo Exhibit
○ Date : 12-14 October, 2009 (3 days)
○ Place : 2F Miami Room, Paradise Hotel, Haeundae
○ Host : BFC(Busan Film Commission), JSC(Japanese
Society of
※ 12 October, 2009 / 4:00pm ~
A meeting between Korea and Japan’s premium
cinematographers
Conversation between KIM Hyung-koo and Shogo UENO |
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| ○ 10 Directors of Photography in alphabetical
order |
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Aoki Keishi
Made a number of TV dramas and commercials including "Shiseido",
"Kanebo" and "Coca Cola"
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Kanematsu Kitaro
Joined Shochiku in 1957 and worked with Director Ozu Yasujiro
making a number of films and TV dramas. He is one of the
finest cinematographers in Japan.
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Kawakami Koichi
Worked with major directors such as Ichikawa Jun, Negishi
Kichitaro and Higashi Yoichi.
"Grave of the Fireflies"(2008), "Embers"(2004),
"The Tokyo Siblings"(1995), "The River
with No Bridge"(1992)
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Koyama Kazuhiko
Debuted in 1970 and made a number of films, documentaries
and TV dramas.
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Nakahara Masahiro
Made a number of documentary films including "Vietnam
66(베트남 66)" and "Japanese and the Sea(일본인과 바다)"
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Nakazawa Masayuki
One of the most promising young cinematographers in Japan
"Hachimitsu Drops(하치미츠 드롭스)"(2009), "Remember
the Sky(저 하늘을 기억해)"(2008), "The Angel's Egg"(2006)
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Sakai Eiji
Debuted in 1989 as CF director and made a number of documentary
films and TV dramas
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Tanaka Kazushige
Worked with Director Miike Takashi, he is very active
making both major and independent films.
"The
Shonen Merikensack"(2009), "One Missed Call
Final"(2006), "Waru"(2006), "The Man
in White"(2003), "Dead or |
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Ueno Shogo
One of the most active cinematographers in Japan
"Walking My Life"(2008), "Yoshino's Barber
Shop"(2004), "Night of the Shooting Star"(2002),
"Gomen"(2002) and more
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Yamakawa Ryoya
Made a number of short films and TV commercials including
"Sanyo" and "Lotte"
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